Two things immediately come to mind upon the arrival of Feist’s new album Metals. First, where has she been? It’s been roughly four years since her breakthrough album The Reminder was released. And second, how will she respond after the massive success of that album and more specifically her numerical anthem “1,2,3,4”? The first question is easier to answer. After years of touring, some time to decompress and step out of the spotlight seems only fair and appropriate. And as you dive into the new album Metals, the answer to the second question becomes clear.
A few weeks ago, someone posted a video online of Wilco frontman Jeff Tweedy playfully covering ‘I Gotta Feeling’ by The Black Eye Peas. For the audience, it was a nothing more than a funny break in the set and for those watching online, a respite during your 9 to 5. Yet in an odd way, it helped put the new album from Tweedy and his band mates, The Whole Love, in perspective. In 5 or 6 minutes that it took to perform, Tweedy not only entertained but made a pretty strong case for art over commerce. As popular culture advances with less stress on musicianship and artistry, we’re reminded and relieved on The Whole Love that the art of the album still exists.
With the release of their two acclaimed albums Hollywood Town Hall and Tomorrow The Green Grass in the early 90s The Jayhawks cemented themselves as essential listening for fans of alt-country and rock. After the release of Tomorrow The Green Grass in 1995 Mark Olsen decided to part ways leaving Gary Louris to head the band and fans to long for a reunion. While solo projects, reissues and retrospectives have been released to help ease the yearning of fans, it's safe to say that the arrival of Mockingbird Time will satisfy that itch. This album marks the return of The Jayhawks and the first time in nearly 16 years that the original line-up is back together.
It’s understandable why fans get a bit antsy whenever a band decides to spend some time apart. Too often it suggests that we try to read between the lines, whether there’s something to unfold or not. Contrary to some reports, in the case of Clap Your Hands Say Yeah the idea that the band was taking ‘a break’ was as literal as it sounds. Almost four years since their release Some Loud Thunder, Clap Your Hands Say Yeah reunites for the release of their third studio album Hysterical.
If by chance you were a fan of the New York rock band Elefant you may already be familiar with Diego Garcia. But what you’ll hear on Garcia’s first solo album is a stylistic change in direction; a welcomed one. We hear Garcia turn the page on his alternative rock leanings and also turn down the volume for a gracefully executed set of songs on Laura.
Two years ago at the XPoNential Music Festival, the band Fool’s Gold took to the stage in front of a curious, unsuspecting audience. As their track record would indicate, the Los Angeles collective impressed with their signature blend of world-beat rhythms and indie pop that stirred up a party-like atmosphere. Between then and now Fool’s Gold has continued to write a similar script each night on the road, touring consistently and honing their unique sound. The band’s second album Leave No Trace is a progressive studio statement highlighting the expansive blueprint of their sound.
For many outside of Philadelphia The War On Drugs will likely only bring to mind a controversial campaign on illegal substances, but here in Philly it’s music to our ears – literally. Since forming in 2005, frontman and songwriter Adam Granduciel has been honing a sound that is as much homage to his eclectic influences as it is progressive. Slave Ambient is the second full album from The War On Drugs and despite some changes to the original line-up, including the departure of guitarist Kurt Vile, Granduciel leads their sound to a more expansive, colorful and dreamy pasture.
It won’t take very long to realize that you’re listening to something special the first time you hear Gary Clark Jr. For over a decade, he has been almost a mythical figure in a vibrant music scene of Austin, TX. Now the 27-year old guitarist is finally set to stretch his talents outside of his hometown. His introduction is a 4 song EP, Bright Lights that gives a glimpse at his tremendous potential and not surprisingly leaves you wanting more.
For Ernest Greene it’s all about atmosphere. His artistry as a singer and songwriter takes a backseat for his ambition as a composer and a mood setter. Greene is the latest artist to emerge out of an increasing popular ‘chill-wave’ scene. As of just two years ago he was producing home-made music out of a bedroom in his parents’ house in Atlanta, GA. But those EP’s found an audience and Greene now finds himself as a hot commodity. Using the stage name Washed Out, Greene was courted and signed by Sub Pop records to release his full-length debut Within And Without.