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It's difficult to pinpoint what exactly makes Reservoir, the debut album from the London-based band and XPN's Artist To Watch Fanfarlo, so endearing. Perhaps it's the robust orchestrations or the imaginative storytelling. Regardless, it's hard to believe this is actually the band's first effort. The songs of Reservoir are sweet and melodic, carefully arranged and refreshingly original.

Zero 7 are the English "sound-design" duo of Henry Binns and Sam Hardaker who debuted in 2001 with their now classic Simple Things album, a collection of warm, soulful and chilled out electronica. The Garden is their gorgeous third release and not too unlike their previous albums, which put them in a similar musical genre wih bands like Royksopp, Air, Portishead. This time around however, Zero 7 have added a more upbeat musical direction to their trademark ambience and finds them mining some excellent & fertile musical ground.

It's difficult to pinpoint what exactly makes Reservoir, the debut album from the London-based band and XPN's Artist To Watch Fanfarlo, so endearing. Perhaps it's the robust orchestrations or the imaginative storytelling. Regardless, it's hard to believe this is actually the band's first effort. The songs of Reservoir are sweet and melodic, carefully arranged and refreshingly original.

Death Cab for Cutie is a band that boasts two of the very best artists in all of indie-dom: singer Ben Gibbard, who's blessed with an amazing, natural voice, and guitarist and producer Chris Walla, who has the knack of making everything he touches sound real and epic at the same time. The talent is certainly on display on this new album, Narrow Stairs, but the subject matter is much more suffocating.

The bad news first: the second Gnarls Barkley album The Odd Couple does not contain any song with the hit single potential of "Crazy" from their St. Elsewhere album. The good news is – as far as consistency, soul, and overall performance is concerned,The Odd Couple is maybe even better than the debut. This mid-fi delight combines pop touchstones of the past with hip-hop beats and electronica attitude, and the result is warm and decidedly real...

Bjork's new album Volta is one of the year's most innovative and exotic new releases. Ever since her days as the frontwoman for The Sugarcubes, Bjork has been one of pop music's most enigmatic and other worldly artists, and her solo career has confirmed that even more. Volta hearkens back to the sound of Bjork's earlier solo work yet still has some of the experimental verve of her albums like Vespertine and Medulla.

For the second major U.S. release, The John Butler Trio recruited producer Mario Caldato, Jr. (Beastie Boys, G. Love, Beck), and keyboardist Money Mark, but has retained the energy and groove of Sunrise Over Sea. Not really a "jam band" per se, the Trio is already a decade into their career, and Butler is a very underrated songwriter and singer.

Zero 7 are the English "sound-design" duo of Henry Binns and Sam Hardaker who debuted in 2001 with their now classic Simple Things album, a collection of warm, soulful and chilled out electronica. The Garden is their gorgeous third release and not too unlike their previous albums, which put them in a similar musical genre wih bands like Royksopp, Air, Portishead. This time around however, Zero 7 have added a more upbeat musical direction to their trademark ambience and finds them mining some excellent & fertile musical ground.

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