One of this year's most anticipated records!
~ Bruce Warren, Program Director WXPN
Much like their first two albums, The Suburbs from The Arcade Fire stands as a grandiose musical adventure. Similar to Funeral and Neon Bible, this new batch of songs triumphs with dynamic orchestrations and pure power. Yet, what sets The Suburbs apart from its predecessors is a sense of nostalgia. Where a dark cloud of impending doom may have at times hovered over their first two albums, The Suburbs offers a unique look back at adolescence both in a standalone state and in comparison to our current social state.
It's difficult to pinpoint what exactly makes Reservoir, the debut album from the London-based band and XPN's Artist To Watch Fanfarlo, so endearing. Perhaps it's the robust orchestrations or the imaginative storytelling. Regardless, it's hard to believe this is actually the band's first effort. The songs of Reservoir are sweet and melodic, carefully arranged and refreshingly original.
With her timeless voice, Melody Gardot offers an enchanting collection of jazzy originals with the release of her new album My One And Only Thrill. The Philadelphia native flourishes both as a singer and songwriter, upholding an assuredness that matches the elegance for which the album aspires.
For as much discussion that's been made about Wilco's decision to self-title their latest album, an equal amount of excitement should surround the music the band churns out on this new effort, Wilco (The Album).
Where soundtracks often miss the mark is in their inability to capture consistency from song to song as an album. Where the new soundtrack to the film The Twilight Saga: New Moon hits the bulls-eye is in its ability to recruit a wealth of musical talent, resulting with a cohesive set of songs in both atmosphere and ambition.
Peter Bjorn & John whistled their way into our ears just a couple years ago with their unavoidable single "Young Folks." And while their album Writer's Block was actually the trio's third album, all the symptoms of the dreaded "one-hit wonder" were beginning to loom. Well, fast forward to the present, and the release of Living Thing which sets out to prove that Peter Bjorn & John do in fact have a few more infectious offerings for us.
Back and Fourth marks the fourth studio album from singer-songwriter Pete Yorn, and his first since Nightcrawler in 2006. No doubt an important point in his career, the new album witnesses Pete letting go of responsibilities to which he'd become accustomed and writing perhaps the most personal songs of his career.
Often the hype that precedes an album's release ends up overshadowing the impact of the actual arrival. The announcement of collaboration between My Morning Jacket frontman Jim James, M. Ward, Conor Oberst and Mike Mogis was sure to leave some expectations unreasonably high. Yet the resulting album from the proclaimed Monsters Of Folk still offers plenty of surprises amongst a wealth of dreamy compositions.
Wait For Me, the new release from Moby may have some celebrating a "return to form", but the songs on Wait For Me do more than simply recall his earlier work. Very much in the now, Moby takes back the role of conductor, offering fans a collection of brooding songs unconcerned with demand or destination.
While his name seems to come up quite a bit when you reference modern independent music, it's been a couple years since we've got to enjoy an M. Ward solo record. More recently Ward has spent time recording and touring as the duo of She & Him. Hence, many are eager to get their ears on Hold Time, Ward's new solo album, which satisfies beyond expectations.
Presently, there is arguably no singer-songwriter that writes songs with as much visual perspective as Ingrid Michaelson. A success story born out of a new generation of fans on MySpace and strategic television placement, Ingrid's cinematic love tales have crossed the ears of millions, whether knowingly or unknowingly. And her second proper full-length album, titled Everybody, has the potential to set the proverbial scene yet again.
We often hear musicians talk about artistic integrity, yet few are as truthful or match the level of their ambitions as well as Andrew Bird. His songwriting, which at times will leave you reaching for your thesaurus, is as skillful as his string playing or his trademark whistling. The classically trained violin player has produced another record destined for critical praise in Noble Beasts.
Brooklyn's finest, TV On The Radio, have just dropped an album on us – Dear Science – that has to go down as one of the most honest, challenging and engaging things we’ve heard all year. If I hadn't read the lyric sheet I'd say it was downright revolutionary, but the bands' concerns are personal ones, albeit personal in a context of an all-too troubling present and future. It's strong from start to finish, and TVOTR has really upped the ante for their major label debut.
Back Door Slam was XPN's Artist To Watch in March. Their CD "Roll Away" was released last July in the U.S. on Blix Street.
Artist To Watch November 2007, indie folk-rock starlet Ingrid Michaelson may be compared to artists Fiona Apple and Regina Spektor, but she has definitely staked out her own territory in the music industry.
This unique compilation project brings together the legendary musicians of the Buena Vista Social Club and some of today's most popular artists Radiohead, Chris Martin of Coldplay, Sting, U2's Bono, Dido, Franz Ferdinand, Kaiser Chiefs, Arctic Monkeys, Jack Johnson and others. They perform collaborations of some of their classic hits, and the result is pure genius.
Jeff Tweedy's a genius, I guess. I say that without any sarcasm intended - it's just that I feel kind of weird pinning that title on a guy who's basically a down-to-earth cat. I came to this realization while listening to the latest Wilco album Sky Blue Sky.
For their third album, The Shins have pulled out all the stops. Chock full of memorable tunes, Wincing The Night Away is at once the band's best and most eclectic offering.
This album has my vote for best debut album of 2007. Englishman Scott Matthews has put together a very strong, emotional set of tunes for his album Passing Stranger. He's got it all: a great voice, interesting ideas, passion to burn. There's nothing, really, not to like about this album.
The very first time we heard Ryan Shaw's voice, we knew we were listening to something very, very special. He possesses an extremely emotional set of vocal chords. Fortunately for us, it is showcased in a great fashion on This Is Ryan Shaw, his debut album. It's a calling card for a gifted singer, a guy that should be around for a long time.
The enigmatic juggernaut that is Ryan Adams keeps on rollin'. It's exhausting to be a Ryan fan - he's just so prolific, and it's become difficult to digest one new album before another one comes along. That being said, it's important that you spend some time with his latest, Easy Tiger. What we have here is a truly great American songwriter who's really just hitting his stride.
Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002).
Much more diverse musically than her previous four studio albums, Children Running Through deals with some big issues lyrically - namely new beginnings and dealing with trouble and strife of all sorts. Standout tracks include "Stay On The Ride," "No Bad News" and the sublime "Heavenly Day," which builds slowly into a remarkable tune.
Mark Ronson is a London-born, New York City-raised artist, producer and DJ. His new album Version is - true to its title - a collection of versions of other artists' tunes. This is, of course, an oft-used idea, but few can match the ideas, personnel, and deft production touch that Ronson possesses.
It wasn't easy to successfully follow-up her debut album Eye To The Telescope, but Scottish singer/songwriter K.T. Tunstall has done a pretty fair job on Drastic Fantastic. Her strength on this album - as it was on the debut - is her ability to write engaging pop songs that don't venture too far into the pop song jungle. You don't have to be ashamed to say that you dig K.T. Tunstall.