Consisting of two brothers and a childhood friend, The Slip play like they know each other all their lives. Their Bar/None Records debut - Eisenhower - is a sonic treat, boasting powerful musical interaction with some very well written songs.
Endless Wire is the first studio album in 24 years to consist of new material from The Who. The last two Who standing - Roger Daltrey and Pete Townshend - have delivered an enjoyable, if uneven, album worth of new material.
One of this year's most outstanding new artists, Rodrigo y Gabriela are Rodrigo Sanchez and Gabriela Quintana, Mexico City natives who now live in and wrok out of Dublin, Ireland. It's a simple formula, really... two acoustic guitars, all instrumental songs. I can assure you that the results are much more interesting than the description.
Well... what's not to like? Neil & his favorite band at one of America's classic concert venues, recorded March 6 & 7 of 1970. The sound quality is very good, the performances are inspired. My only complaint? Only six tunes - but two of them are the epics "Down By the River" and "Cowgirl In The Sand", so I'm not too dissappointed.
Eric Clapton has been an unabashed J J Cale fan for some time now. For Clapton, the artist that he admires for his "work ethic and anonymity" has provided him with a couple of major hits, namely "Cocaine" from the 1977 album Slowhand and a raved-up version of "After Midnight." The results of this long-rumored collaboration album are extremely enjoyable.
Willie Nelson's new album Songbird - produced by Ryan Adams and featuring Ryan and his band The Cardinals - sounds a lot like... well... Willie Nelson being backed by Ryan Adams & The Cardinals. The vibe is consistent & rootsy, and Nelson's voice never dissappoints.
Man, oh, man... has this new Killers' album ever taken a beating in the press! Outlets from Rolling Stone to The Village Voice to The New York Times (and many others) have panned Sam's Town. It's taken a critical flogging as bad as I've ever seen any major release get. That being said, it's currently in the Billboard Top 10, they're selling out on their tour, and I'm here to tell you that this album does not deserve the nasty reception it's gotten.
Beck has done so much in his career, it really isn't fair to compare every new album he releases to Odelay or Mellow Gold, so let's just say that his latest - The Information - sounds like "classic" Beck. There's not a bad song on this record, and there's lots of good ones.
Blessed with a wonderful voice and a fine storytelling style, Philly's own Amos Lee seems poised to take his craft to a wider audience. His sophomore album - Supply & Demand - will most certainly help him get there.
The Decemberists' major label debut is a wonderful example of a band expanding its' fan base without forgetting what got them here in the first place. The Crane Wife is a multi-faceted, highly enjoyable gem of a record that sounds like will it get better with every listen.
Is John Mayer the STING of the 00's? Perhaps, in the sense that he is capable of producing consistent, well-produced albums, each with several very appealing songs that combine world-class songcraft with great playing. Accomplishing that is much easier said than done, but Mayer gets it done on Continuum.
In case you haven't already recognized this fact, Los Lobos is a great American band. They continually manage to transcend genres and trends, time and space with the greatest of ease. The Town And The City is another rock-solid effort from everyone's favorite East L.A. group.
XPN favorite Clarence Greenwood - a.k.a. Citizen Cope - has always been incredibly adept at combining groove and message, and on Every Waking Moment, that talent is once again on display.
For his 31st (!) studio album, Bob Dylan has not really broken any new ground, but the musically sacred ground he continues to till is rich indeed. Modern Times is an album that only Dylan - with his peerless wordplay and insight - could make sound as, well, modern as it does.
Whether or not Ray LaMontagne will become this generation's Van Morrison is something that's yet to be determined, but you'll be hard-pressed to find another singer who combines light and dark, power and subtlety as well as this New Hampshire native. His second album - Till The Sun Turns Black - is another well thought-out, well delivered set of music.
For their second album, the Nashville-based OLD CROW MEDICINE SHOW mines the same rich earth for inspiration that they so expertly did on their epononymous 2004 debut album. This is a string band with attitude, and their songs may remind you of the past, but their outlook and presentation is most definitely of today.
If you have been looking for a singularly unique listening experience, it just may have arrived from this Brooklyn-based group. I'm not exaggerating when I say that TV ON THE RADIO sound like nothing else out there today.
The Tejas brothers are back with their second album, and those of us who enjoyed the Garzas great harmonies, engaging tunes, and guitar-hero leads will not be disappointed by Sacred.
Along with Gnarls Barkley, Corinne Bailey Rae has made one of the most spectacular debut splashes of the first half of this year. This 27 year-old, Leeds, England native's eponomous album is a versatile, flowing, 11-song listen that sounds perfect for these hot summer days (and nights).
If you're like me, you always look forward to a new TOM PETTY release. He's never quite gotten the critical acclaim that he possibly deserves, despite the fact that he's certainly been given respect over the years by music writers and has sold millions of records. Petty's kind of like the corner bar version of BRUCE SPRINGSTEEN and/or BOB DYLAN - and that's no slight, by the way. Never as downright poetic as Dylan (but then again, who is?) or as cinematic as Springsteen, T.P. nevertheless is an important American rocker, and one who has penned and performed more than his fair share of classic anthems. His contribution to the culture is quite remarkable, come to think of it.
For his first solo album, RADIOHEAD's charismatic frontman THOM YORKE does not dissappoint the faithful. There is nobody in music today who can communicate alienation through song like Yorke, through his lyrics and - probably most importantly - through his vocal stylings.
Slowly but surely, WIDESPREAD PANIC has established themselves as one of America's most popular and consistent live acts. Their recorded output hasn't quite reached the success of their road show, but - with Earth To America - the band has finally gotten their feel and passion properly on disc.
The poignancy and brilliance of the fifth and final installment of Johnny Cash's American series is a lasting testimony to the genius of an American icon. As reported in Rolling Stone magazine, the story goes that the day after his wife June Carter Cash died on May 15th, 2003, Johnny Cash called Rick Rubin - his producer and said to him: "I have to get to work. If you don't have something for me to do every day, I'm going to die." Unfortunately, his life ended too soon.
Zero 7 are the English "sound-design" duo of Henry Binns and Sam Hardaker who debuted in 2001 with their now classic Simple Things album, a collection of warm, soulful and chilled out electronica. The Garden is their gorgeous third release and not too unlike their previous albums, which put them in a similar musical genre wih bands like Royksopp, Air, Portishead. This time around however, Zero 7 have added a more upbeat musical direction to their trademark ambience and finds them mining some excellent & fertile musical ground.