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It didn’t take long for the Seattle band The Head And The Heart to find an audience for their brand of indie folk and pop. In fact, within a year of coming together at a local open mic night the six piece band had released their self-titled debut album and become a standout of a hearty Seattle music scene. Following in the steps of fellow indie-folksters like Fleet Foxes, The Head And The Heart signed to the local Sub Pop label who have re-released the group’s introduction this year.

A decade into their career and with their fourth studio album now complete, it’s a good time to take a moment to reflect upon the impact of TV on the Radio. While some bands follow a road map to success, others make their own. The always experimental Brooklyn outfit, TV on the Radio, prove that the latter is not only more impressive but also a more enjoyable trip. Their latest collection Nine Types of Light is an uncanny blend of styles that will surely move your feet, right after you pick your jaw up from the floor.

Expectations aren't always easy to understand. Sure they're subjective, we all have our own. And after a while, you start wondering if you're setting the bar too high for certain things. When an artist like Paul Simon goes into the studio, what should we expect? Not every album is going to satisfy at the same level as say, Graceland right? Well, as we fast forward nearly 25 years again we realize why we hold this songwriter in such high regard. So Beautiful or So What is a stunning album, in the true sense of an album, and easily settles in as one of the year's best thus far.

On their new album Gimme Some, the Swedish trio Peter Bjorn and John waste little time reassuming their role as great pop songwriters. From top to bottom their new collection is near flawless in its ability to capitalize on pop sensibilities. From infectious hooks to energized drums and catchy guitar riffs, Gimme Some feels effortless in its power pop ambition and on the whole, simply stated a lot of fun.

Michael Stipe, Peter Buck and Mike Mills are no longer the darlings of the alt-rock world that they once were. It’s been 30 years since R.E.M formed, and the band has just released their 15th studio album, Collapse Into Now. For any band that’s been making music as long as R.E.M., and with a back catalogue of such might, it’s easy to compare and dismiss. And while a new album would be enough to generate praise, on Collapse Into Now, the band aspires for more.

Blessed from Lucinda Williams is the songwriter's 10th studio album and emotionally one of her heaviest works. The twelve song collection is certainly reflective, delving into some recent troubling times including both the passing of her former manager and also fellow songwriter Vic Chesnutt. While the songs of Blessed deal with some weighty issues and the musical tone is far from rollicking, Blessed is more a look at a songwriter coming to terms with these events not necessarily drowning in them.

Just about a year ago, word of the indie-rock collaboration that would evolve into the band Middle Brother began to make some noise – literally. After a performance at last year’s SXSW festival, we learned that Matt Vasquez (Delta Spirit), Taylor Goldsmith (Dawes) and John McCauley (Deer Tick) had more in store for us beyond their one-off jam session. The three band leaders had actually been writing material for what would soon become the band’s debut album Middle Brother. Carving out some time this winter/spring, the three will release their first album and hit the road for the first time as Middle Brother.

The new Live at the World Cafe Vol 31 CD is hot off the press and available as a thank you gift to XPN members. Here's the track list. One of the best yet! Make your pledge now, and pick it up as an XPN thank you gift!

On her debut album, the title, 19, served as a reminder that such an extraordinary voice was beholden to a young lady a year shy of her twentieth birthday. Now just a couple years removed from her Grammy award winning introduction, Adele returns with 21 an equally captivating effort that only re-enforces the disparity between her actual youth and her incredible vocal prowess.

Too much is often made of an artist’s jump from an indie to a major label. For fear of tainted artistic vision or imposed guidelines, ‘purists’ hold their collective breath in the weeks (or months) leading up to an albums release. But to be fair, there is a recent track record of success when you think of artists like The Decemberists or Death Cab for Cutie who have arguably made some of the best albums of their careers since making such a move. And with that, Iron and Wine is the latest indie darling to successfully make the transition to a major label with his most confident and expansive album to date, Kiss Each Other Clean.

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