Lead vocalist Ben Gibbard sings like an angel and the songs on this CD make great use of jangly guitars and sinewy synthesizers. Bellingham, WA, indie pop quartet Death Cab for Cutie may remind you of a cross between REM and New Order, but they craft truly unique songs about relationships that draw you completely in.
Between the scruffy sweetness of Luke Reynolds’ rough, expressive tenor and the orchestral richness of the band’s intricate arrangements, Burning in the Sun is an album that is easy to get lost in.
Way back in the Winter of 2002, XPN mid-day host Helen Leicht began playing an independent release from a Philly based singer-songwriter named Amos Lee. Soulful and organic, Lee was making ends meet working at the Tin Angel in Philadelphia and honing his craft by playing open-mic nights and writing songs. After recording an EP, his music reached Helen - who directs XPN’s Philly Local program – and she began playing songs like “Colors” and “Arms Of A Woman.”
Guitarist, singer and songwriter Marc Broussard's new album Carenco (pronounced Karen-Crow) is named after his hometown in Louisiana. At a young 22, he sounds wise beyond his age mixing up soul and R&B with heavy doses of good old fashioned rock 'n' roll. Growing up in Lafayette, Louisiana, Broussard was exposed to music as a youngster as his dad was guitarist for the legendary South Louisiana swamp band The Boogie Kings. Marc debuted in 2002 with the album Momentary Setback, and on Carencro he continues to hone his incredible rocking soul stylings with his best songs and most soulful singing yet.
Like Maxwell, D’Angelo, Anthony Hamilton, Jill Scott, Musiq, and Macy Gray, Van Hunt is a member of the “neo-soul” generation - a new generation of young artists who draw on R&B’s rich past yet give it their own unique spin.
One of true architects and legends of reggae, Toots Hibbert & The Maytals are responsible for some of the reggae classics of our time, including “Pressure Drop,” ”Time Tough,” “Monkey Man,” “Funky Kingston,” and “54-46 Was My Number.”
Born in Kingston, Jamaica, Toot’s musical legacy precedes this collection, True Love, a stunning, well executed star-studded affair. Taking a page out of Carlos Santana’s play book in his making of the Grammy award winning Supernatural, Toots gathered a wide range of guest stars for the making of True Love.
One of XPN’s Artists To Watch for 2004, singer-songwriter, Ray Lamontagne explains how Stephen Stills saved his life. One of six children raised by a single mom who worked hard to make ends meet, Lamontagne – who barely made it out of high school left his family for Lewiston, Maine. Bored, going nowhere in his life and doing some serious soul searching Ray was in Lewiston working long hard hours in a shoe factory when he experienced a musical epiphany.
For the uninitiated - and those unfamiliar with her music - Jonatha Brooke has been making solo records that bridge folk and pop since the mid-Nineties. Prior to her solo career, Jonatha was a member of The Story, a duo that also included Jennifer Kimball. Their 1989 debut, a collection called Grace In Gravity, was originally released on the folk-based Green Linett record label, and the band was promptly signed to Elektra Records.
Welcome to the shape of jazz to come. He is pianist and singer-songwriter Jamie Cullum, currently one of a handful of “twentysomething” “jazz” artists interpreting pop songs old and new, and writing originals on his own unique terms. Cullum’s album Twentysomething, and his charismatic, energetic shows land him in the States as a bonafide UK superstar. Superstardom in the UK rarely assures success in the States (ask the Smiths and Robbie Williams about that), however, early stateside reviews of Cullum’s new album and his sensational stage show are pointing towards something new and interesting coming our way.
July 14, 2001 approximately 11 months (count ‘em – 11) after Five For Fighting and John Ondrasik released America Town, John was on stage at XPN’s Singer-Songwriter Weekend and still on the brink of commercial success. John sat down at the piano and played the opening chords to “Superman,”