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World Cafe Archives

Join David Dye as he navigates the World Cafe through performances and interviews with celebrated and emerging artists.

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For Bruce Springsteen, an artist of true iconic stature and fame, you sometimes wonder where the motivation comes from. He’ll sell records as long as he keeps making them and fill seats as long as he keeps playing in front of them. For ‘The Boss’ life doesn’t seem too shabby. However listening to his new album Wrecking Ball, Bruce seems anything but content. For Springsteen making records at this point is hardly about moving up Billboard charts or filling stadiums, it’s about marking a moment in time. Wrecking Ball speaks to our hardships, our challenges and the eventual hope that lies ahead.

Few bands have the natural chemistry that you’ll find on Come Back As Rain, the new album from XPN Artist To Watch, Good Old War. The latest album from the Philadelphia trio is all at once a comfortable, feel good collection and a fresh step forward. Keith Goodwin, Tim Arnold and Daniel Schwartz capture liveliness on Come Back As Rain that they’ve been applauded for onstage and translate it somewhat effortlessly in the studio.

Some music fans may remember a band called The Format. They released a couple records in the mid-2000’s and toured a good bit. The enjoyed some mild success, but decided to take a break in 2008. Nate Ruess, one of the founders of The Format, moved from Arizona to New York to form a new band, appropriately called fun. They released their first album in 2009 called Aim and Ignite and just recently put out there sophomore effort Some Nights. Their latest release has already grabbed some ears due to the anthemic “We Are Young” which features Janelle Monae. But as captivating as that song is, Some Nights is in many ways the album Ruess have been aiming to make his whole career.

Heartless Bastards front woman and founder Erika Wennerstrom has that indefinable appeal where when she sings, you listen. Sure, her voice is rather interesting. She sings with unapologetic power, an almost roar that prefers whiskey to wine (or so you’d imagine). Since 2003 she’s fronted the now four piece rock outfit that originated in Cincinnati and now calls home to Austin, Texas where the band recorded their new album Arrow. The band has evolved since 2003 with Wennerstrom pursuing as the lone original member, but perhaps with Arrow she’s finally captured the intended vision for what the Heartless Bastards have aspired to be.

They may qualify as newcomers, but the Minneapolis band Polica has already captured some keen ears as interest intensifies surrounding their first album, Give You The Ghost. An official release of their debut is slated for Valentine’s Day, yet their songs have been making the rounds on the internet since late last year. Some of the interest stems from Polica’s relation to the indie soft rock outfit Gayngs. Ryan Olson, founder of Gayngs, produced Give You The Ghost, and vocalist Channy Leaneagh was rotating member of Gayngs as well. Other notable touch points on the album include a guest appearance by Mike Noyce of Bon Iver (another member of Gayngs) and Jim Eno of Spoon who also helped produced the album.

It seems that whoever crosses the path of Sharon Van Etten eventually falls under the spell of her songwriting and subtle magnetism. In addition to a growing fan base and critical appeal, fellow musicians have taken notice of the once independent singer-songwriter. Perhaps there’s no better example of such admiration than on Sharon’s new album Tramp. In addition to producer Aaron Dessner, a legion of notable indie-rockers helped make Tramp, one of the more confident and surprisingly engaging early releases of the year.

Welcome back Dr. Dog, it’s almost as if you never left. Listening to Be the Void, the 7th album from Philadelphia’s favorite indie-rockers is a quick reminder as to how likeable and captivating they can be. In some ways Be the Void picks up where the last Dr. Dog album, Shame, Shame left off. But add to that tuneful collection of songs an energy that’s indicative of their live shows and you have an album that will keep attracting new fans plus reignite their already faithful following.

The latest in our series of recordings from World Cafe interviews with some of our favorie artists of the past year is available now. Pick up your copy of Live at the World Cafe, Volume 33 CD when you Pledge Now!!

Since her debut, Failer, in 2003 it's hard to be critical of the work of Kathleen Edwards. As a songwriter, as an artist she's never really taken a step backwards. As listeners we can argue over our favorites, but it's a fair to say that each album has matched a certain level of expectations if not surpassed them. And with that the Canadian songstress continues a career trajectory on the rise with her new album, Voyageur, but at the same time broadens our expectations.

It often goes without saying, but discovering young bands and new music can be thrilling. It could be youthful exuberance or sheer talent, but that potential of what could emerge is a captivating emotion. Not surprising, what often takes a little time to develop or carve out is a sense of identity. Some bands hone in on it quicker than others, while some never truly find it. That’s what makes Days, the second album from the band Real Estate so compelling. The trio from New Jersey knows exactly what type of band they are and executes it in a beautifully cohesive collection of songs.

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