On their new album Gimme Some, the Swedish trio Peter Bjorn and John waste little time reassuming their role as great pop songwriters. From top to bottom their new collection is near flawless in its ability to capitalize on pop sensibilities. From infectious hooks to energized drums and catchy guitar riffs, Gimme Some feels effortless in its power pop ambition and on the whole, simply stated a lot of fun.
At just 21 years old Laura Marling has already found significant success at home in Britain. She’s emerged from a revivalist music scene in London rooted in traditional folk that has already spawned massive commercial appeal with bands like Mumford & Sons. For Laura, her first two albums were each nominated for the UK Mercury Music Prize and earlier this year she won Best Female Solo artist at the Brit Awards. Her third release A Creature I Don’t Know aims to cover new ground musically, plus serves as a proper introduction to new audiences here in the U.S.
When you think of music from New Orleans it’s not unusual to visualize big brass bands, Dixieland jazz, swampy blues or Cajun funk. But as we listen to In Light the debut full length album from the band Givers it might surprise you that this young 5-piece band actually calls home to Lafayette, Louisiana. To attempt to categorize their sound is a challenge all to itself. One thing is for certain though, In Light is a bright and flavorful adventure.
If Hollywood were writing the script there’d likely be a long, perilous journey before a new-comer band could hit any type of stride to success. Luckily for Fitz and the Tantrums, WXPN's February Artist To Watch, they’re writing their own story and in just over a year what started as a solo endeavor has turned into a ‘can’t miss’ stage show with a debut album to match. Pickin’ Up the Pieces, the band’s debut full-length, is an instant party-starter that not only echoes sounds of Motown soul but also fosters an indie-rock sensibility to top it off.
If by chance you were a fan of the New York rock band Elefant you may already be familiar with Diego Garcia. But what you’ll hear on Garcia’s first solo album is a stylistic change in direction; a welcomed one. We hear Garcia turn the page on his alternative rock leanings and also turn down the volume for a gracefully executed set of songs on Laura.
Bon Iver gained notoriety in 2008 with the release of his intimate solo debut For Emma, Forever Ago. The album was heralded as one of the year’s best independent releases. Peter Gabriel would go on to cover Bon Iver and Vernon even ventured into the world of hip-hop as a prominent guest on the latest release from Kanye West. All that would just add to the build-up of expectations for the second Bon Iver album. To say that the new album from Bon Iver singer-songwriter Justin Vernon is easily accessible … well … that wouldn’t be true. Yet despite a much bolder landscape, puzzling lyrics and a general propensity to demand more of its audience Bon Iver, Bon Iver is an inspiring effort.
For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.
Rumors of a Roxy Music reunion swirled around the making of Olympia. And while the album bares just the name Bryan Ferry, Olympia. is witness to collaborations with a number of Roxy alums as well as healthy dose of guest stars. Ferry sounds effortlessly in the now on his 13th studio album and only his second album of mostly original material since the mid-90s.
The debut album North Hills, released September 29, 2009, from the local LA quartet and XPN Artist To Watch, Dawes (featuring members of the old Record Collection Simon Dawes) fringes with a blend of classic 70's folk-rock and contemporary embellishments.
It's a bit hard to believe that God Willin' & The Creek Don't Rise is the fourth album from the soulful singer-songwriter Ray LaMontagne. It doesn’t seem so far off from when many of us first stopped us in our tracks upon hearing the song “Trouble” from his debut album. But over the course of his career, Ray has captivated audiences with an emotionally driven songbook, a voice that summons goose bumps and a fascinating aversion to the spotlight he so requires.