Welcome back Dr. Dog, it’s almost as if you never left. Listening to Be the Void, the 7th album from Philadelphia’s favorite indie-rockers is a quick reminder as to how likeable and captivating they can be. In some ways Be the Void picks up where the last Dr. Dog album, Shame, Shame left off. But add to that tuneful collection of songs an energy that’s indicative of their live shows and you have an album that will keep attracting new fans plus reignite their already faithful following.
The latest in our series of recordings from World Cafe interviews with some of our favorie artists of the past year is available now. Pick up your copy of Live at the World Cafe, Volume 33 CD when you Pledge Now!!
It often goes without saying, but discovering young bands and new music can be thrilling. It could be youthful exuberance or sheer talent, but that potential of what could emerge is a captivating emotion. Not surprising, what often takes a little time to develop or carve out is a sense of identity. Some bands hone in on it quicker than others, while some never truly find it. That’s what makes Days, the second album from the band Real Estate so compelling. The trio from New Jersey knows exactly what type of band they are and executes it in a beautifully cohesive collection of songs.
As we draw the curtains on 2011 we’d be regretful if not to showcase one of the more exciting bands to emerge from the local music community here in Philadelphia. This year was an important and prolific one for the dreamy Philly band Work Drugs. Every few weeks it seemed a new song would surface online, and often accompanied by artful music video. What rolled out as a series of singles would ultimately culminate by year’s end as the bands proper first release, Aurora Lies.
This week we have a holiday treat from the ‘girl next door.’ As we know, Zooey Deschanel has found success in featured films and more recently television. But her partnership with M. Ward as the musical outfit She & Him continues to be a passion. In time for the holidays, Matt & Zooey personalize a collection of seasonal favorites in the album A Very She & Him Christmas. They don’t stray too far from the familiar, handling classics like “Baby, It’s Cold Outside,” “Little Saint Nick” and “Rockin’ Around The Christmas Tree” with their signature She & Him playfulness.
It wasn’t the fast lane to success for The Black Keys. In fact, the cover of their new album El Camino is a convenient reminder of that. The old, beat-up van featured on the front of the Akron duo’s latest collection is the actual vehicle that The Keys used as a touring van in their early days. From then until now The Black Keys have earned countless fans through rigorous touring and a strong body of work in the studio. In 2010 the duo had a substantial breakthrough with the album Brothers. It garnered The Keys a couple Grammy nominations and their highest charting single to date “Tighten Up,” which was produced by Brian Burton (aka DangerMouse). El Camino answers Brothers call for a little more punch and the doctor’s order for a good dose of rock n roll.
There’s a new sound in Chicago and it comes in the form of XPN Artist To Watch JC Brooks & the Uptown Sound. Taking their name from Chicago’s Uptown neighborhood, this four piece band goes beyond your typical soul revivalists. Following in the footsteps of standouts like Sharon Jones & the Dap Kings or Austin’s Black Joe Lewis & The Honeybears, Brooks and company cook up their own brand of soul stew. On their second album Want More you’ll hear a band that can produce some pure soul, add a dash of funk, rock with a punk-like attitude and even sweeten the mix with a little R&B.
If you haven’t met Mayer Hawthorne, allow us to introduce you. How Do You Do is the second album from the Michigan born soul man who has one foot fully planted in a nostalgic world of Motown and the other very much in the now. The new album is his first for a major-label. Hawthorne released his independent debut, A Strange Arrangement, back in 2009 to the delight of critics. What we learned then was that along with a playful nature came a sincere desire to recapture the heart of the music he drew inspiration from. On How Do You Do, Hawthorne continues to pay homage to the music he loves, but all the while lending his own style to the equation.