It's a bit hard to believe that God Willin' & The Creek Don't Rise is the fourth album from the soulful singer-songwriter Ray LaMontagne. It doesn’t seem so far off from when many of us first stopped us in our tracks upon hearing the song “Trouble” from his debut album. But over the course of his career, Ray has captivated audiences with an emotionally driven songbook, a voice that summons goose bumps and a fascinating aversion to the spotlight he so requires.
A superstar cast of indie-artists that range from Josh Ritter to Drive-By Truckers come together to pay homage to one of the great country/folk songwriters on a new tribute album. Broken Hearts & Dirty Windows: Songs of John Prine is, for the most part, a younger cast of admirers taking a deep look at the songbook of John Prine.
Simply stated, Contra, the sophomore effort from Vampire Weekend does not miss. As a follow-up to their much admired debut, the new album is open to new, adventurous musical avenues all while still harnessing their worldly appetite. Unquestionably, Contra is smart, artistic, and — as you'd expect from Vampire Weekend — catchy.
Anthemic rockers The Hold Steady ready the release of their fifth studio album entitled Heaven Is Whenever. Animated keyboardist, Franz Nicolay, has parted ways with the group leaving the dynamics a bit altered, but nonetheless The Hold Steady’s classic brand of fist pumping rock ensues.
Under normal circumstances an artist releasing an album at an average of once per decade would hardly seem like a formula for success. In the case of Sade however, the norm tends not to apply, and the success of her enchanting new album Soldier of Love is a story few could foresee.
After bonding over a profound affinity for country, bluegrass and folk music, four friends Marcus Mumford, Country Winston, Ben Lovett and Ted Dwane began putting their passionate song-writing to the works in 2007. Their enthusiastic passion for music was infectiously joyous and launched them to the forefront of the underground folk scene in London. That same infectious passion is the reason XPN has chosen Mumford and Sons as the XPN Artist To Watch for the month of June.
Promise and Potential are two words that often bring with them as much excitement as they do disappointment, especially in the case of young musicians. So, you can’t blame many of us for holding our breath in anticipation of the full-length debut album from the artist that simply goes by the name Lissie. The twenty something songwriter, originally from Rock Island, Illinois, perked our ears last year with her debut EP Why You Runnin’. And upon the release of Catching A Tiger not only could we exhale but applaud the collection as one of the years truly dynamic debuts.
Wake Up! is a one-of-a-kind collaboration first conceived roughly two years ago amidst the buzz of the Presidential election season. Similar to the minds of many, soul sensation John Legend and hip-hops most versatile players The Roots connected a likeness of the events of 2008 to the socially charged music of the ‘60s and ‘70s. Wake Up! is as much a testament to the power of that music as it is a literal ‘wake up’ call to a new generation.
As the New Year gets underway, we anticipate lots of new releases from some of our favorite artists. However, a new name jumps to the head of the line in this year; a duo from Baltimore named Beach House. Their first album for the Sub Pop label comes out this January, entitled Teen Dream, and may just be one of the albums we're talking about again when we come full circle in 2010.
One of this year's most anticipated records!
~ Bruce Warren, Program Director WXPN
Much like their first two albums, The Suburbs from The Arcade Fire stands as a grandiose musical adventure. Similar to Funeral and Neon Bible, this new batch of songs triumphs with dynamic orchestrations and pure power. Yet, what sets The Suburbs apart from its predecessors is a sense of nostalgia. Where a dark cloud of impending doom may have at times hovered over their first two albums, The Suburbs offers a unique look back at adolescence both in a standalone state and in comparison to our current social state.