And while those types of changes sometimes get fans a bit nervous, the most notable change you'll hear on Never Going Back is a maturity in both the songs she sings and the depth of the compositions. Shemekia, who at an early age became a rising star within the blues world, has come a long way from writing songs about nail salons and is now tackling heavier issues including faith and social responsibility. Copeland offers up her feelings on the current state of our humanity with "Broken World." And introspective songs like "Born A Penny" help us to realize Shemekia, personally, in a way we've yet to up to this point.

As for the compositions, credit Wood with challenging Copeland on Never Going Back. The album oozes a richer, more refined sound. Songs like "Never Going Back To Memphis" and "Dirty Water" offer a smoky, swampy and sultry approach to the blues. Wood surrounds Shemekia with some different players on the album. In addition to Wood himself, he enlists his brother Chris Wood, John Medeski, and Marc Ribot among others to contribute on Never Going Back.

Growth and maturity are obvious keys to having a long and successful career in whatever your pursuits, but along the way it's important to take risks and welcome challenges. Applaud Copeland as she's done both on Never Going Back.

Written by Mike Vasilikos