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The Wallflowers have reconnected, or 'rebooted' so to speak, to release their first studio album since 2005's Rebel, Sweetheart and with a slightly tweaked line-up they pick up right where they left off.
If you read into the title of the album, Glad All Over, and/or have heard its first single you can probably make an educated guess that Jakob Dylan and his band are in a good place. Yes, The Wallflowers have reconnected (or 'rebooted') to release their first studio album since 2005's Rebel, Sweetheart and with a slightly tweaked line-up they pick up right where they left off.
It’s reasonable to ask whether or not Passion Pit was ready for the level of exposure that followed the release of their Chunk of Change EP in 2008, and their subsequent debut Manners. For frontman Michael Angelakos, a musical project that started as a Valentine’s Day gift for his girlfriend evolved rather quickly into a full-time band with significant impact. Passion Pit’s animated brand of electronic, dance-pop thrilled audiences and even found a warm embrace across the media landscape from bloggers and radio to TV and film. So with high expectations and anticipation surrounding their new album, can Passion Pit continue to live up to the hype? Gossamer, their sophomore effort, answers that question with conviction.

Wake Up! is a one-of-a-kind collaboration first conceived roughly two years ago amidst the buzz of the Presidential election season. Similar to the minds of many, soul sensation John Legend and hip-hops most versatile players The Roots connected a likeness of the events of 2008 to the socially charged music of the ‘60s and ‘70s. Wake Up! is as much a testament to the power of that music as it is a literal ‘wake up’ call to a new generation.

Back and Fourth marks the fourth studio album from singer-songwriter Pete Yorn, and his first since Nightcrawler in 2006. No doubt an important point in his career, the new album witnesses Pete letting go of responsibilities to which he'd become accustomed and writing perhaps the most personal songs of his career.

As witnessed by his incredible performance at the XPN All About The Music Festival in July, Rodney Crowell has returned with yet another amazing album of country influenced rock songs. The Outsider is the third of a trilogy of CD’s that he’s released (The Houston Kid and Fate’s Right Hand being the first two) that find him at yet another creative peak of his long outstanding career.

Following her impressive debut in 2005, there were big names lined up to work with Seattle songwriter Brandi Carlile. On The Story Carlile enlisted Grammy winning producer T-Bone Burnett, and on Give Up the Ghost the band bunkered down in Los Angeles with famed studio wizard Rick Rubin. For her latest, Brandi decided to settle in a little closer to home. The album Bear Creek takes its name from the studio in which it was recorded just outside of Seattle. As usual, Carlile is flanked by “the twins” Tim and Phil Hanseroth. And along with producer Trina Shoemaker (Sheryl Crow, Emmylou Harris), Brandi and the band set out to make an album that captures the heart of their sound.

It’s interesting to think back to over twelve years ago when many of us first heard the music of John Mayer. Fresh-faced and innocent he would become yet another staple in the emergence of acoustic rock joining the likes of Dave Matthews and Jack Johnson. Unlike the aforementioned songwriters, Mayer grabbed as many headlines for his off-stage activities as he did for his music. Controversial interviews and high-profile arm candy may have acted as distractions for critics and fans. But on his fifth studio album Born and Raised, Mayer aims to strike those public perceptions and regain focus on his music. If you’re ready to listen, you’ll find that these songs are some of his best yet.

For the good part of the last year lots of questions surrounded the band Cults. Little information other than the music itself graced the bands website. Yet their three songs buzzed about online leaving many to scratch their heads - who is this? We come to find out that Madeline Follin and Brian Oblivion were aspiring film students living in New York and they had a side of musical ambition. The two rode the internet wave of intrigue to a record deal with Columbia and one of the year's most appealing debut releases.

Perhaps no new band is enjoying 2011 as much as Foster The People. The indie-rockers from Los Angeles are now on the fast track after teasing listeners earlier this year with one of the most irresistible songs in recent memory. Their debut album, Torches, sets out to prove that it has plenty more to offer in addition to “Pumped Up Kicks” and may be the perfect addition to your summer soundtrack.

Lots of musicians attempt to recapture sounds of classic soul, few actually own it. For Raphael Saadiq, Stone Rollin’, his fourth studio album is another indicator of how much a true descendent of classic soul and R&B he is. He tips his cap to the greats like Sly Stone and Stevie but all the while walks his own walk. The Grammy nominated Saadiq again delivers an awe-inspiring collection of throwback style jams on Stone Rollin’.

On her debut album, the title, 19, served as a reminder that such an extraordinary voice was beholden to a young lady a year shy of her twentieth birthday. Now just a couple years removed from her Grammy award winning introduction, Adele returns with 21 an equally captivating effort that only re-enforces the disparity between her actual youth and her incredible vocal prowess.

Could’ve? … Should’ve? … Would’ve? Three questions musicians ask themselves often, especially when it comes to what to do next in their careers. We spend a lot of time analyzing the career trajectories of our favorite artists, but rarely do we get to listen to what exactly those different directions would have sounded like. Well, for fans of Bruce Springsteen, The Promise offers answers to those questions at perhaps the most pivotal point of his career.

Wake Up! is a one-of-a-kind collaboration first conceived roughly two years ago amidst the buzz of the Presidential election season. Similar to the minds of many, soul sensation John Legend and hip-hops most versatile players The Roots connected a likeness of the events of 2008 to the socially charged music of the ‘60s and ‘70s. Wake Up! is as much a testament to the power of that music as it is a literal ‘wake up’ call to a new generation.

Despite the success that surrounded their debut album, MGMT stand determined to wipe the slate clean with their sophomore release Congratulations. Where songs like “Kids” and “Electric Feel” found leverage in pop venues, the songs of Congratulations aim to push beyond those boundaries challenging the audience to a musical kaleidoscope.

What do you get when you cross the precious indie-pop melodies of The Shins with the futuristic beats of DJ/producer Danger Mouse? Well, the one-of-a-kind collaboration between James Mercer, frontman and songwriter from The Shins, and Brian Burton, aka Danger Mouse and co-founder of another ground-breaking partnership Gnarls Barkley, is known as Broken Bells. And the duo’s self-titled debut offering is witness to the best of what both have to offer.

It's hard to imagine any area on the musical spectrum that Bob Dylan hasn't dipped his paintbrush in. But as the days get shorter, and the first of the snowflakes start to fall so does arrive a Christmas record from the man himself, Bob Dylan.

It comes with slight hesitation to say that Brandi Carlile has fully realized her potential on her new album Give Up The Ghost. Her gutsy brand of country-tinged, roots and rock is utterly appealing and her talent undeniable. Yet, as she takes another leap forward on Give Up The Ghost you get the sense that this is a singer-songwriter whose musical well is far from dry.

Blending their acoustic folk tendencies with an abandon and spirit of a punk rock act, The Avett Brothers grew to prominence due in part to their raucous, high-energy live shows. They've also been prolific writers and road-warriors for nearly 10 years now. And on their major label debut, I And Love And You, which is produced by Rick Rubin, the Avett Brothers propel their irreplaceable brand of folk-rock to a new level.

Back and Fourth marks the fourth studio album from singer-songwriter Pete Yorn, and his first since Nightcrawler in 2006. No doubt an important point in his career, the new album witnesses Pete letting go of responsibilities to which he'd become accustomed and writing perhaps the most personal songs of his career.

Who would've imagined that a collection of songs, written and produced by a college student as a belated Valentine's Day gift for his girlfriend would've launched a music career? Well, for Emerson College undergrad Michael Angelakos his six song EP not only served as an overdue present for a loved one, but it launched the career of the yet-to-be realized band Passion Pit. In fact, demand for the EP entitled, Chunk Of Change, grew so quickly around the campus that the rise of Passion Pit seemed inevitable.

With thirty-three studio albums now to his credit, Bob Dylan continues to offer songs with the richness and depth to which we've all been accustomed. His latest album, Together Through Life is a 10 song collection, a majority of which were co-written with Robert Hunter and self-produced by Dylan, under his alter-ego Jack Frost.

In the year's most meteoric indie rock success story, Tallahassee, Florida's Black Kids have climbed the major label mountain in record time. Thanks to a relentless barrage of positive press from all the right music crits, the band that was counting its collective change for gas money last fall have cashed in their rock dreams. Partie Traumatic documents a young band with great ideas in a big hurry.

I don't think that The Ting Tings are just another British "it" pop band of the moment, but I can certainly understand those who may think they are just that. On We Started Nothing, the Manchester duo (go City!) prove that they are perfectly capable of writing and performing infectious confections that stick with you despite any of your best efforts to rid yourself of the melodies they contain. In the wrong hands, this can lead to major annoyance and a quick career. If they continue to do it like the songs on this album, bigger things await.

Ya wanna know what "magic" is? It's what happens to his fans every time Bruce Springsteen releases a new album. From the initial response to this new album - Magic - from these aforementioned fans (yeah, I'm one, too...), it sounds like everybody's satisfied.

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