You could call this a side project, an indie-rock super-group or simply a musical experiment, but really Divine Fits stands better as the result of mutual admiration. Spoon frontman Britt Daniel and Wolf Parade’s Dan Boeckner shared a love for each other’s music, and once Wolf Parade called it quits the idea of starting a band together quickly became a reality. They recruited drummer/percussionist Sam Brown (New Bomb Turks) and started work on their debut album, cleverly titled A Thing Called Divine Fits.

One of this year's most anticipated records!
~ Bruce Warren, Program Director WXPN

Much like their first two albums, The Suburbs from The Arcade Fire stands as a grandiose musical adventure. Similar to Funeral and Neon Bible, this new batch of songs triumphs with dynamic orchestrations and pure power. Yet, what sets The Suburbs apart from its predecessors is a sense of nostalgia. Where a dark cloud of impending doom may have at times hovered over their first two albums, The Suburbs offers a unique look back at adolescence both in a standalone state and in comparison to our current social state.

While his name seems to come up quite a bit when you reference modern independent music, it's been a couple years since we've got to enjoy an M. Ward solo record. More recently Ward has spent time recording and touring as the duo of She & Him. Hence, many are eager to get their ears on Hold Time, Ward's new solo album, which satisfies beyond expectations.

This week we have a holiday treat from the ‘girl next door.’ As we know, Zooey Deschanel has found success in featured films and more recently television. But her partnership with M. Ward as the musical outfit She & Him continues to be a passion. In time for the holidays, Matt & Zooey personalize a collection of seasonal favorites in the album A Very She & Him Christmas. They don’t stray too far from the familiar, handling classics like “Baby, It’s Cold Outside,” “Little Saint Nick” and “Rockin’ Around The Christmas Tree” with their signature She & Him playfulness.

One of this year's most anticipated records!
~ Bruce Warren, Program Director WXPN

Much like their first two albums, The Suburbs from The Arcade Fire stands as a grandiose musical adventure. Similar to Funeral and Neon Bible, this new batch of songs triumphs with dynamic orchestrations and pure power. Yet, what sets The Suburbs apart from its predecessors is a sense of nostalgia. Where a dark cloud of impending doom may have at times hovered over their first two albums, The Suburbs offers a unique look back at adolescence both in a standalone state and in comparison to our current social state.

In many ways the new album from Zooey Deschanel and M. Ward, known collectively as She & Him, picks up right where their first album left off. Volume Two, appropriately titled, is another dreamy collection of breezy, retro-fitted pop gems. And what She & Him may lack in adventure, they make up for with charm - which is easier said than done.

A few years removed from arguably their most successful studio album to date, the veteran indie-rockers, Spoon, return with their seventh studio album Transference. And while its predecessor dipped into a pop arena at times, Transference consciously avoids that avenue opting for a raw, unapologetic approach.

While his name seems to come up quite a bit when you reference modern independent music, it's been a couple years since we've got to enjoy an M. Ward solo record. More recently Ward has spent time recording and touring as the duo of She & Him. Hence, many are eager to get their ears on Hold Time, Ward's new solo album, which satisfies beyond expectations.

Those of you who are wondering what makes Conor Oberst any different from a Bright Eyes release should join the crowd... there just isn't that much difference. Oberst has always treated Bright Eyes as a solo expression, so his reasons for using his name on this album remain unclear.

On an album that will please long-time fans and new converts alike, the Texas band Spoon sound comfortable, confident, and on top of their game. Ga Ga Ga Ga Ga is short and sweet (10 songs, 36 minutes), and its relative brevity only serves to accentuate front man Britt Daniels' and co.'s craftsmanship.