It didn’t take long for the Seattle band The Head And The Heart to find an audience for their brand of indie folk and pop. In fact, within a year of coming together at a local open mic night the six piece band had released their self-titled debut album and become a standout of a hearty Seattle music scene. Following in the steps of fellow indie-folksters like Fleet Foxes, The Head And The Heart signed to the local Sub Pop label who have re-released the group’s introduction this year.
On their new album Gimme Some, the Swedish trio Peter Bjorn and John waste little time reassuming their role as great pop songwriters. From top to bottom their new collection is near flawless in its ability to capitalize on pop sensibilities. From infectious hooks to energized drums and catchy guitar riffs, Gimme Some feels effortless in its power pop ambition and on the whole, simply stated a lot of fun.
If Hollywood were writing the script there’d likely be a long, perilous journey before a new-comer band could hit any type of stride to success. Luckily for Fitz and the Tantrums, WXPN's February Artist To Watch, they’re writing their own story and in just over a year what started as a solo endeavor has turned into a ‘can’t miss’ stage show with a debut album to match. Pickin’ Up the Pieces, the band’s debut full-length, is an instant party-starter that not only echoes sounds of Motown soul but also fosters an indie-rock sensibility to top it off.
For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.
Rumors of a Roxy Music reunion swirled around the making of Olympia. And while the album bares just the name Bryan Ferry, Olympia. is witness to collaborations with a number of Roxy alums as well as healthy dose of guest stars. Ferry sounds effortlessly in the now on his 13th studio album and only his second album of mostly original material since the mid-90s.
Wake Up! is a one-of-a-kind collaboration first conceived roughly two years ago amidst the buzz of the Presidential election season. Similar to the minds of many, soul sensation John Legend and hip-hops most versatile players The Roots connected a likeness of the events of 2008 to the socially charged music of the ‘60s and ‘70s. Wake Up! is as much a testament to the power of that music as it is a literal ‘wake up’ call to a new generation.
Promise and Potential are two words that often bring with them as much excitement as they do disappointment, especially in the case of young musicians. So, you can’t blame many of us for holding our breath in anticipation of the full-length debut album from the artist that simply goes by the name Lissie. The twenty something songwriter, originally from Rock Island, Illinois, perked our ears last year with her debut EP Why You Runnin’. And upon the release of Catching A Tiger not only could we exhale but applaud the collection as one of the years truly dynamic debuts.
It's a bit hard to believe that God Willin' & The Creek Don't Rise is the fourth album from the soulful singer-songwriter Ray LaMontagne. It doesn’t seem so far off from when many of us first stopped us in our tracks upon hearing the song “Trouble” from his debut album. But over the course of his career, Ray has captivated audiences with an emotionally driven songbook, a voice that summons goose bumps and a fascinating aversion to the spotlight he so requires.
One of this year's most anticipated records!
~ Bruce Warren, Program Director WXPN
Much like their first two albums, The Suburbs from The Arcade Fire stands as a grandiose musical adventure. Similar to Funeral and Neon Bible, this new batch of songs triumphs with dynamic orchestrations and pure power. Yet, what sets The Suburbs apart from its predecessors is a sense of nostalgia. Where a dark cloud of impending doom may have at times hovered over their first two albums, The Suburbs offers a unique look back at adolescence both in a standalone state and in comparison to our current social state.