Under normal circumstances an artist releasing an album at an average of once per decade would hardly seem like a formula for success. In the case of Sade however, the norm tends not to apply, and the success of her enchanting new album Soldier of Love is a story few could foresee.
After bonding over a profound affinity for country, bluegrass and folk music, four friends Marcus Mumford, Country Winston, Ben Lovett and Ted Dwane began putting their passionate song-writing to the works in 2007. Their enthusiastic passion for music was infectiously joyous and launched them to the forefront of the underground folk scene in London. That same infectious passion is the reason XPN has chosen Mumford and Sons as the XPN Artist To Watch for the month of June.
Simply stated, Contra, the sophomore effort from Vampire Weekend does not miss. As a follow-up to their much admired debut, the new album is open to new, adventurous musical avenues all while still harnessing their worldly appetite. Unquestionably, Contra is smart, artistic, and — as you'd expect from Vampire Weekend — catchy.
As the New Year gets underway, we anticipate lots of new releases from some of our favorite artists. However, a new name jumps to the head of the line in this year; a duo from Baltimore named Beach House. Their first album for the Sub Pop label comes out this January, entitled Teen Dream, and may just be one of the albums we're talking about again when we come full circle in 2010.
It's difficult to pinpoint what exactly makes Reservoir, the debut album from the London-based band and XPN's Artist To Watch Fanfarlo, so endearing. Perhaps it's the robust orchestrations or the imaginative storytelling. Regardless, it's hard to believe this is actually the band's first effort. The songs of Reservoir are sweet and melodic, carefully arranged and refreshingly original.
Where soundtracks often miss the mark is in their inability to capture consistency from song to song as an album. Where the new soundtrack to the film The Twilight Saga: New Moon hits the bulls-eye is in its ability to recruit a wealth of musical talent, resulting with a cohesive set of songs in both atmosphere and ambition.
Often the hype that precedes an album's release ends up overshadowing the impact of the actual arrival. The announcement of collaboration between My Morning Jacket frontman Jim James, M. Ward, Conor Oberst and Mike Mogis was sure to leave some expectations unreasonably high. Yet the resulting album from the proclaimed Monsters Of Folk still offers plenty of surprises amongst a wealth of dreamy compositions.
Presently, there is arguably no singer-songwriter that writes songs with as much visual perspective as Ingrid Michaelson. A success story born out of a new generation of fans on MySpace and strategic television placement, Ingrid's cinematic love tales have crossed the ears of millions, whether knowingly or unknowingly. And her second proper full-length album, titled Everybody, has the potential to set the proverbial scene yet again.
Wait For Me, the new release from Moby may have some celebrating a "return to form", but the songs on Wait For Me do more than simply recall his earlier work. Very much in the now, Moby takes back the role of conductor, offering fans a collection of brooding songs unconcerned with demand or destination.