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There is something incredibly satisfying about Born to Sing: No Plan B, the brand new studio album from Van Morrison. One of the greatest and most prolific songwriters of all-time, Van delivers an impassioned performance on this collection that sonically travels through worlds of jazz, blues and soul as only he can. He sounds inspired throughout this new 10 song set and as he suggests on the title track “passion’s everything when you were born to sing.”

CD of the Month, February, 2011

For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.

Blessed with a wonderful voice and a fine storytelling style, Philly's own Amos Lee seems poised to take his craft to a wider audience. His sophomore album - Supply & Demand - will most certainly help him get there.

Way back in the Winter of 2002, XPN mid-day host Helen Leicht began playing an independent release from a Philly based singer-songwriter named Amos Lee. Soulful and organic, Lee was making ends meet working at the Tin Angel in Philadelphia and honing his craft by playing open-mic nights and writing songs. After recording an EP, his music reached Helen - who directs XPN’s Philly Local program – and she began playing songs like “Colors” and “Arms Of A Woman.”

For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.

Much has been made of the forthcoming Norah Jones record, The Fall. There've been forewarnings of a "new direction" and a change in the approach from her previous studio efforts. However, before you brace for the unexpected, the reality is that The Fall is not a seismic shift for the sultry songwriter.

Amos Lee's music on his third album Last Days At The Lodge, on Blue Note, continues to be a compelling mix of soul, folk, and blues music. The new album was produced by Don Was. The CD features Amos on guitars/vocals, Doyle Bramhall, Jr. (Eric Clapton) on guitar, Spooner Oldham (Neil Young, Aretha Franklin) on keys, Pino Palladino (The Who) on bass, and James Gadson (Bill Withers) on drums.

We figured we'd see it sometime... Suzanne Vega has delivered her "New York City album", a collection of 11 tunes that revolve around life in "The Big Apple" where Vega was raised and has lived ever since. It's not a new idea. Lots of artists (Lou Reed, for example on his 1989 New York album) have used this muse before. Vega has done it with a tremendous amount of style, and her first new release in six years is clearly one of her best.

Blessed with a wonderful voice and a fine storytelling style, Philly's own Amos Lee seems poised to take his craft to a wider audience. His sophomore album - Supply & Demand - will most certainly help him get there.

Way back in the Winter of 2002, XPN mid-day host Helen Leicht began playing an independent release from a Philly based singer-songwriter named Amos Lee. Soulful and organic, Lee was making ends meet working at the Tin Angel in Philadelphia and honing his craft by playing open-mic nights and writing songs. After recording an EP, his music reached Helen - who directs XPN’s Philly Local program – and she began playing songs like “Colors” and “Arms Of A Woman.”

After his reign of the R&B and pop charts in the 70’s with classics like “I’m Still In Love With You,” “Let’s Stay Together,” “Tired of Being Alone,” and “Here I Am,” Al Green decided to join the ministry and by the 1980’s was only releasing Gospel records and has been primarily been a religious performer since then.

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