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Featured Album
Each week XPN's Mike Vasilikos, serves up another Featured Album of the Week. Tune in to the XPN Morning Show every Monday as Mike reviews another great CD.
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Bright Eyes - "I'm Wide Awake, It's Morning" (Saddle Creek)
Bright Eyes is the primary project of 24 year-old Connor Oberst, a
singer-songwriter wunderkind from Omaha, Nebraska. Precocious beyond his
youthfulness, Oberst’s two new releases follow 2002’s Lifted Or The
Story Is In The Soil, Keep Your Ear To The Ground. A truly brilliant,
ambitious release that music critics tripped all over each other to use
as the opportunity to pronounce Oberst as “Next Big Thing,” the release
was marred only by its self-indulgence. It showcased such a unique
talent, that it almost didn't matter, though.
Does Oberst live up to the hype? Absolutely. His indie-rock
twenty-something charisma may be a bit pretentious for some and his
calculated art-rock restfulness may be matched only by David Byrne, but
Oberst is a visionary songwriter. Lyrically ambitious as Dylan seen
through the legacious filter of bands like Pavement, the Pixies and
Sebadoh, fans love him for his angst filled voice, his tortured ballads
of love and torment, his deliberate woundedness, the way he wears his
hair and his high cheek bones.
Oberst’s profile is surging. He appeared alongside with REM and Bruce
Springsteen at Philadelphia’s Vote For Change Concert. He has again
captured the imagination of the music press with a cover story in a
recent Sunday New York Times Arts & Leisure section. And in a recent
Rolling Stone article they crown Oberst “the best young songwriter in
America.” That’s a lot of weight to carry.
Two new albums from Oberst show completely different sides to his unique
talent. Digital Ash In A Digital Urn is a collection of wondrously
executed, self-conscious songs mired in ambience like Radiohead’s Kid A
and Brian Eno’s Before And After Science. Both electric and electronica,
Digital Urn is a lullabye of earnestness that’s more Robert Smith of The
Cure than it is Bob Dylan, a songwriter that Oberst has often been
compared to.
Digital Ash’s initial iciness warms up a few songs in to the album with
the songs “Down In A Rabbit Hole,” “Take It Easy (Love Nothing)” a
collaboration with Jimmy Tamborello of The Postal Service, and “I
Believe In Symmetry.” With its quirky samples, 80’s-like synth sounds
and imaginative musical arrangements Digital Ash is Oberst’s rock album
that has the most potential to cross him over to new fans.
While Digital Ash is phenomenal, I’m Wide Awake, It’s Morning is even
better. A country flavored singer-songwriter album that eschews the
traditional clichés of much of the “singer-songwriter” genre as we know
it, you can’t listen to this album and think that Oberst is not bringing
something new to the genre.
Wide Awake was recorded with guests Jim James, lead singer of My Morning
Jacket, Jesse Harris (among other things, writer of Norah Jones’s “Don’t
Know Why) on guitar, Emmylou Harris, and drummer Jason Boesel of Rilo
Kiley. The album showcases Oberst’s spellbinding brightness as a
songwriter and his lyrical drive is virtually unmatched by any new
songwriters out today. Songs like “Train Under Water,” “Another
Travelin’ Song,” and “Old Soul Song” are examples of Oberst’s sharpest
writing yet showcasing his recurring themes of self-doubt and love.Written by Bruce Warren
Release Date 1/25/2005
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the Week.
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Site.
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