There’s a new sound in Chicago and it comes in the form of XPN Artist To Watch JC Brooks & the Uptown Sound. Taking their name from Chicago’s Uptown neighborhood, this four piece band goes beyond your typical soul revivalists. Following in the footsteps of standouts like Sharon Jones & the Dap Kings or Austin’s Black Joe Lewis & The Honeybears, Brooks and company cook up their own brand of soul stew. On their second album Want More you’ll hear a band that can produce some pure soul, add a dash of funk, rock with a punk-like attitude and even sweeten the mix with a little R&B.
Grace Potter & The Nocturnals have come a long way from their blues-rock beginnings in Waitsfield, Vermont. For Grace, she's finally emerging as the superstar frontwoman that so many of us knew she had the potential to be. And on the latest album, The Lion The Beast The Beat she grabs hold of the spotlight and seems unwilling to let it go. We know what a commanding presence this band, and Grace in particular, can be on stage, yet until now capturing that on record has been a challenge. The Lion The Beast The Beat may be the step in the right direction.
Few bands have the natural chemistry that you’ll find on Come Back As Rain, the new album from XPN Artist To Watch, Good Old War. The latest album from the Philadelphia trio is all at once a comfortable, feel good collection and a fresh step forward. Keith Goodwin, Tim Arnold and Daniel Schwartz capture liveliness on Come Back As Rain that they’ve been applauded for onstage and translate it somewhat effortlessly in the studio.
Mac is back! Well, to be fair, it’s not like Dr. John hasn’t been consistent in his musical output. He’s released more than a handful of albums since the turn of century. But with Locked Down, his latest, perhaps none of those recent releases matches this latest collection in terms of energy and/or sheer appeal. Many will argue that a five time Grammy winner and Rock and Roll Hall of Famer has the latitude to do just about whatever they want, but for Dr. John Locked Down is an album he needed to make and music fans need to hear.
Welcome back Dr. Dog, it’s almost as if you never left. Listening to Be the Void, the 7th album from Philadelphia’s favorite indie-rockers is a quick reminder as to how likeable and captivating they can be. In some ways Be the Void picks up where the last Dr. Dog album, Shame, Shame left off. But add to that tuneful collection of songs an energy that’s indicative of their live shows and you have an album that will keep attracting new fans plus reignite their already faithful following.
John Paul White and Joy Williams hail from very different parts of the country (Alabama and California, respectively), and have both have been free spirits when it comes to their solo music careers....more....
It wasn’t the fast lane to success for The Black Keys. In fact, the cover of their new album El Camino is a convenient reminder of that. The old, beat-up van featured on the front of the Akron duo’s latest collection is the actual vehicle that The Keys used as a touring van in their early days. From then until now The Black Keys have earned countless fans through rigorous touring and a strong body of work in the studio. In 2010 the duo had a substantial breakthrough with the album Brothers. It garnered The Keys a couple Grammy nominations and their highest charting single to date “Tighten Up,” which was produced by Brian Burton (aka DangerMouse). El Camino answers Brothers call for a little more punch and the doctor’s order for a good dose of rock n roll.
It seemed destined that beyond their marriage to each other Derek Trucks and Susan Tedeschi would ultimately tie their music together as well. After years of touring and collaborating the immensely talented husband and wife team have officially joined forces under the banner of the Tedeschi Trucks Band. Merging talents and band members have made for as you could imagine one powerful debut album in Revelator.
On their new album Gimme Some, the Swedish trio Peter Bjorn and John waste little time reassuming their role as great pop songwriters. From top to bottom their new collection is near flawless in its ability to capitalize on pop sensibilities. From infectious hooks to energized drums and catchy guitar riffs, Gimme Some feels effortless in its power pop ambition and on the whole, simply stated a lot of fun.
At just 21 years old Laura Marling has already found significant success at home in Britain. She’s emerged from a revivalist music scene in London rooted in traditional folk that has already spawned massive commercial appeal with bands like Mumford & Sons. For Laura, her first two albums were each nominated for the UK Mercury Music Prize and earlier this year she won Best Female Solo artist at the Brit Awards. Her third release A Creature I Don’t Know aims to cover new ground musically, plus serves as a proper introduction to new audiences here in the U.S.
When you think of music from New Orleans it’s not unusual to visualize big brass bands, Dixieland jazz, swampy blues or Cajun funk. But as we listen to In Light the debut full length album from the band Givers it might surprise you that this young 5-piece band actually calls home to Lafayette, Louisiana. To attempt to categorize their sound is a challenge all to itself. One thing is for certain though, In Light is a bright and flavorful adventure.
If Hollywood were writing the script there’d likely be a long, perilous journey before a new-comer band could hit any type of stride to success. Luckily for Fitz and the Tantrums, WXPN's February Artist To Watch, they’re writing their own story and in just over a year what started as a solo endeavor has turned into a ‘can’t miss’ stage show with a debut album to match. Pickin’ Up the Pieces, the band’s debut full-length, is an instant party-starter that not only echoes sounds of Motown soul but also fosters an indie-rock sensibility to top it off.
If by chance you were a fan of the New York rock band Elefant you may already be familiar with Diego Garcia. But what you’ll hear on Garcia’s first solo album is a stylistic change in direction; a welcomed one. We hear Garcia turn the page on his alternative rock leanings and also turn down the volume for a gracefully executed set of songs on Laura.
Bon Iver gained notoriety in 2008 with the release of his intimate solo debut For Emma, Forever Ago. The album was heralded as one of the year’s best independent releases. Peter Gabriel would go on to cover Bon Iver and Vernon even ventured into the world of hip-hop as a prominent guest on the latest release from Kanye West. All that would just add to the build-up of expectations for the second Bon Iver album. To say that the new album from Bon Iver singer-songwriter Justin Vernon is easily accessible … well … that wouldn’t be true. Yet despite a much bolder landscape, puzzling lyrics and a general propensity to demand more of its audience Bon Iver, Bon Iver is an inspiring effort.
For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.
Rumors of a Roxy Music reunion swirled around the making of Olympia. And while the album bares just the name Bryan Ferry, Olympia. is witness to collaborations with a number of Roxy alums as well as healthy dose of guest stars. Ferry sounds effortlessly in the now on his 13th studio album and only his second album of mostly original material since the mid-90s.
The debut album North Hills, released September 29, 2009, from the local LA quartet and XPN Artist To Watch, Dawes (featuring members of the old Record Collection Simon Dawes) fringes with a blend of classic 70's folk-rock and contemporary embellishments.
It's a bit hard to believe that God Willin' & The Creek Don't Rise is the fourth album from the soulful singer-songwriter Ray LaMontagne. It doesn’t seem so far off from when many of us first stopped us in our tracks upon hearing the song “Trouble” from his debut album. But over the course of his career, Ray has captivated audiences with an emotionally driven songbook, a voice that summons goose bumps and a fascinating aversion to the spotlight he so requires.
A superstar cast of indie-artists that range from Josh Ritter to Drive-By Truckers come together to pay homage to one of the great country/folk songwriters on a new tribute album. Broken Hearts & Dirty Windows: Songs of John Prine is, for the most part, a younger cast of admirers taking a deep look at the songbook of John Prine.
Simply stated, Contra, the sophomore effort from Vampire Weekend does not miss. As a follow-up to their much admired debut, the new album is open to new, adventurous musical avenues all while still harnessing their worldly appetite. Unquestionably, Contra is smart, artistic, and — as you'd expect from Vampire Weekend — catchy.
Anthemic rockers The Hold Steady ready the release of their fifth studio album entitled Heaven Is Whenever. Animated keyboardist, Franz Nicolay, has parted ways with the group leaving the dynamics a bit altered, but nonetheless The Hold Steady’s classic brand of fist pumping rock ensues.